I didn't want to dress anyone in the beginning, no celebrities. Then, very slowly I started with one, two, like that. There are some celebrities whom we dress because they are part of the family. They are women I admire. I don't care how famous she is, if she is at the movies or in a concert.

I think my heart is in a very good place. And I think this is why I'm achieving what I've been asking to do in the universe for so long.

My obsession when I was kid, from '85 into the '90s, was Gianni Versace. It was Helmut Lang. It was Margiela. So I said, "I cannot have Givenchy only as a luxury house; I'm going to introduce products for everybody, things that are reachable."

I tried to never exclude people. I know what it means to be left out.

There are some people whom I esteem and want their opinion first, but that's my way. It is difficult for me to delegate. In the end, I do have two or three people on my team who I listen to.

I love hip-hop and R&B. People always say, "You are dark, you make dark dresses. You probably only love The Cure or Diamanda Galás." I love Diamanda Galás, but I also love Madonna, Beyoncé, and Courtney Love. They are all from different worlds, but they all evoke emotions in me. I am someone who needs emotions and needs to transmit them. If that weren't the case, I'd be better off changing professions.

Even though I had a fantastic family, I always felt lonely - not lonely in the melancholic way but knowing that, to really survive, I have to do everything for myself. I had to work and study, and I was out in the street really surviving, bringing food back home.