If people don't actively knock the scenery over and they get the words out in something approximating the right order, you're moving on.

You have to give access to people with disabilities but there is no requirement to hire them. What I mean by affirmative obligation is that producers must take the necessary steps to include opportunities for people with disabilities and a vast majority of them do.

I am so grateful for One Day At A Time, even though for years and years and years people would go, "Oh, you were on One Day At A Time." I [am on the show] for about seven months and then this haunts me for the rest of my life. No, I had no regrets.

I've worked with a ginormous number of people over the years. What happens when you've been around for a while, when you run into people whose work you've seen and liked and they have seen and liked your work, there's a sense of you kind of know each other even though you don't.

I have to say I was very lucky in this [movie] business. I was in the right place at the right time when I first got started.

Most profoundly deaf people have speech that is very difficult to understand.

I mean God knows I've done tons of schlock during the course of my career and stuff that's been very low budget and really pressed for time, but I've never had an experience like this. I kept saying to people, "How do you do this?" I said to Susan [Lucci], "How do you do it?" I don't recall exactly what she answered me but it was something like "Close my eyes and think of England. You just do it."