If people don't actively knock the scenery over and they get the words out in something approximating the right order, you're moving on.

The difference between deafness and any other disability is that there is no way to put yourself in a position of knowing what it would be like because you can't stop yourself from hearing your own breath or your own heartbeat. You can not remove sound entirely from your life. You can get a sense of what being blind is like by closing and covering your eyes which provides a source of empathy because we can all project ourselves to that. But people who think they can project themselves into deafness are mistaken because you can't.

In a very real way Norman [Lear] godfathered me into my career. He was the best mentor anybody could have ever had.

I am so grateful for One Day At A Time, even though for years and years and years people would go, "Oh, you were on One Day At A Time." I [am on the show] for about seven months and then this haunts me for the rest of my life. No, I had no regrets.

I'm one of the handful of survivors of the guys I came up with.

I know deaf people. I have discussed the issues with them I've also thought about them a lot so I have some insights that go a little further than people who haven't had contact with the deaf community.

Maybe if I'd gone in younger, I wouldn't have had that feeling, but I've seen an enormous amount of changes since the early-'70s in how this stuff is shot. I did the first TV movie ever shot in 18 days; before this film the normal length of shooting a TV movie was between 21 and 26 days. We shot a full-up, two-hour TV movie in 18 days with Donald Sutherland playing the lead, who had never worked on television before.