There's a satisfaction in seeing something happen over time.
I'm always projecting onto objects like they're alive in some way.
The drawings need to be strong enough to stand alone, and not just work as part of a sequence.
Everyone has a burden, everyone has some baggage they're carrying.
I guess the anthropomorphising is something I've done all my life.
I come from more of a sculptural background so I think of the form before anything else.