I come from more of a sculptural background so I think of the form before anything else.
The drawings need to be strong enough to stand alone, and not just work as part of a sequence.
I'm always projecting onto objects like they're alive in some way.
Everyone has a burden, everyone has some baggage they're carrying.
I guess the anthropomorphising is something I've done all my life.
When I see a salt and pepper standing next to a bottle of ketchup, to me that's obviously a parent and two children, you know? Isn't it for everybody?