I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.

The thing about coming back to the Bay Area, it's like coming home for me.

Work out of your work. Don't work out of anybody else's work.

I thought Out of Action was better as a catalogue than the honeycomb because the honeycomb was like walking into one compartment and then another compartment.

The thing about rigging is, you can learn it if you become a master rigger but there's no book on rigging.

Play is a necessary ingredient in art because there is a kind of wonder that goes on when you play. You're directing your activity toward a conclusion that isn't prescribed by a particular method.

I think different people have different problems and different relations to the exhibition of their work.