I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.

Most of what you see in architecture are watered-down ideas of sculptors who have come before.

The thing about coming back to the Bay Area, it's like coming home for me.

I was in analysis and I told my analyst I wanted to be the best sculptor in the world and he said, 'Richard, calm down.'

The thing about rigging is, you can learn it if you become a master rigger but there's no book on rigging.

I think this, I think basically I'm not interested in people following my work or making work like my work.

I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.