If you get it out into the urban field it's going to be used or misused but it'll also probably provide a way of people acknowledging what the aesthetic is about because people have to confront it every day.

Most of what you see in architecture are watered-down ideas of sculptors who have come before.

I started working for Bethlehem Steel when I was about 16 during the summers.

Your eye is a muscle, you have to keep it in shape and the more you draw, the more you see.

Art is not democratic. It is not for the people.

I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.

I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct.