Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it.

I used to eat lunch with Billy Wilder when I first came out here.

I started working for Bethlehem Steel when I was about 16 during the summers.

The thing about rigging is, you can learn it if you become a master rigger but there's no book on rigging.

Your eye is a muscle, you have to keep it in shape and the more you draw, the more you see.

Most photographs take their cues from advertising, where the priority is high image content for an easy Gestalt reading.

But I don't think of any particular viewer in mind other than myself.