I think different people have different problems and different relations to the exhibition of their work.

I think this, I think basically I'm not interested in people following my work or making work like my work.

And certainly the history of public sculpture has been disastrous but that doesn't mean it ought not to continue and the only way it even has a chance to continue is if the work gets out into the public.

I used to eat lunch with Billy Wilder when I first came out here.

It could be that people want to consume sculpture the way they consume paintings - through photographs... I'm interested in the experience of sculpture in the place where it resides.

Everything we choose in life for its lightness soon reveals its unbearable weight.

If your educe sculpture to the flat plane of the temporal experience of the work. (...) the experience of the work is inseparable from the place in which the work resides. Apart from that condition, any experience of the work is a deception.