Everything we choose in life for its lightness soon reveals its unbearable weight.

I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.

I think this, I think basically I'm not interested in people following my work or making work like my work.

Art is not democratic. It is not for the people.

On the other hand, if there's an underlying core of poetry that I go to, I go to the sea. I've lived on the sea all my life. I live on the sea in Cape Breton.

Most of what you see in architecture are watered-down ideas of sculptors who have come before.

But I'll try to immerse myself in as many of the formal characteristics of site as possible in the landscape.