If your educe sculpture to the flat plane of the temporal experience of the work. (...) the experience of the work is inseparable from the place in which the work resides. Apart from that condition, any experience of the work is a deception.

I thought Out of Action was better as a catalogue than the honeycomb because the honeycomb was like walking into one compartment and then another compartment.

Your eye is a muscle, you have to keep it in shape and the more you draw, the more you see.

Work out of your work. Don't work out of anybody else's work.

The thing about rigging is, you can learn it if you become a master rigger but there's no book on rigging.

I used to eat lunch with Billy Wilder when I first came out here.

It could be that people want to consume sculpture the way they consume paintings - through photographs... I'm interested in the experience of sculpture in the place where it resides.