Most photographs take their cues from advertising, where the priority is high image content for an easy Gestalt reading.

But I don't think of any particular viewer in mind other than myself.

If your educe sculpture to the flat plane of the temporal experience of the work. (...) the experience of the work is inseparable from the place in which the work resides. Apart from that condition, any experience of the work is a deception.

I think this, I think basically I'm not interested in people following my work or making work like my work.

Work out of your work. Don't work out of anybody else's work.

And certainly the history of public sculpture has been disastrous but that doesn't mean it ought not to continue and the only way it even has a chance to continue is if the work gets out into the public.

The viewer becomes aware of himself and of his movement through the plaza. As he moves, the sculpture changes. Contraction and expansion of the sculpture result from the viewer's movement. Step by step the perception not only of the sculpture but of the entire environment changes.