Your eye is a muscle, you have to keep it in shape and the more you draw, the more you see.

But I'll try to immerse myself in as many of the formal characteristics of site as possible in the landscape.

Work out of your work. Don't work out of anybody else's work.

I started working for Bethlehem Steel when I was about 16 during the summers.

Your eye is a muscle, you have to keep it in shape and the more you draw, the more you see.

The viewer becomes aware of himself and of his movement through the plaza. As he moves, the sculpture changes. Contraction and expansion of the sculpture result from the viewer's movement. Step by step the perception not only of the sculpture but of the entire environment changes.

Most photographs take their cues from advertising, where the priority is high image content for an easy Gestalt reading.