Your eye is a muscle, you have to keep it in shape and the more you draw, the more you see.

I thought Out of Action was better as a catalogue than the honeycomb because the honeycomb was like walking into one compartment and then another compartment.

Work out of your work. Don't work out of anybody else's work.

But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be.

I think different people have different problems and different relations to the exhibition of their work.

And certainly the history of public sculpture has been disastrous but that doesn't mean it ought not to continue and the only way it even has a chance to continue is if the work gets out into the public.

But I don't think of any particular viewer in mind other than myself.