And certainly the history of public sculpture has been disastrous but that doesn't mean it ought not to continue and the only way it even has a chance to continue is if the work gets out into the public.

I started working for Bethlehem Steel when I was about 16 during the summers.

I think this, I think basically I'm not interested in people following my work or making work like my work.

Most photographs take their cues from advertising, where the priority is high image content for an easy Gestalt reading.

But I don't think of any particular viewer in mind other than myself.

Work out of your work. Don't work out of anybody else's work.

The thing about coming back to the Bay Area, it's like coming home for me.