I thought Out of Action was better as a catalogue than the honeycomb because the honeycomb was like walking into one compartment and then another compartment.

Most of what you see in architecture are watered-down ideas of sculptors who have come before.

I was in analysis and I told my analyst I wanted to be the best sculptor in the world and he said, 'Richard, calm down.'

But I'll try to immerse myself in as many of the formal characteristics of site as possible in the landscape.

I think different people have different problems and different relations to the exhibition of their work.

Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it.

Everything we choose in life for its lightness soon reveals its unbearable weight.