But I don't think of any particular viewer in mind other than myself.

Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it.

If your educe sculpture to the flat plane of the temporal experience of the work. (...) the experience of the work is inseparable from the place in which the work resides. Apart from that condition, any experience of the work is a deception.

I think this, I think basically I'm not interested in people following my work or making work like my work.

But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be.

Most of what you see in architecture are watered-down ideas of sculptors who have come before.

I used to eat lunch with Billy Wilder when I first came out here.