I started working for Bethlehem Steel when I was about 16 during the summers.

I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.

I used to eat lunch with Billy Wilder when I first came out here.

But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be.

What interests me is the opportunity for all of us to become something different from what we are, by constructing spaces that contribute something to the experience of who we are.

The thing about rigging is, you can learn it if you become a master rigger but there's no book on rigging.

But I don't think of any particular viewer in mind other than myself.