The viewer becomes aware of himself and of his movement through the plaza. As he moves, the sculpture changes. Contraction and expansion of the sculpture result from the viewer's movement. Step by step the perception not only of the sculpture but of the entire environment changes.

Everything we choose in life for its lightness soon reveals its unbearable weight.

It could be that people want to consume sculpture the way they consume paintings - through photographs... I'm interested in the experience of sculpture in the place where it resides.

Time and movement became really crucial to how I deal with what I deal with - not only sight and boundary, but how one walks through a piece, and what one feels and registers in terms of one's own body in relation to another body.

Your eye is a muscle, you have to keep it in shape and the more you draw, the more you see.

I think different people have different problems and different relations to the exhibition of their work.

Art is not democratic. It is not for the people.