Rick Rubin Quotes

I've gotten to work with amazing people. I would say usually we get to a point before we get into the studio where there isn't that sense of anxiety or nervousness of who they are because I don't think it would be as productive in the studio if that was the case. But maybe meeting someone like Neil Young for the first time made me anxious.

I don't know what makes someone hip. The goal is artist achievement and the best work we can do with no limitation.

In between 15 and 20 - probably at around 17 - my interests switched from hard rock to punk rock. And then by 20 they were circling out of punk rock back into Black Sabbath, Led Zeppelin, the stuff that I didnt get to when I was younger.

I really like the challenge of working with different kinds of music. I feel like my role is really like a coach, so I feel like I can do my job for different kinds of music that may not necessarily be what I listen to.

Everything I do, whether it's producing or signing an artist, always starts with the songs. When I'm listening, I'm looking for a balance that you could see in anything. Whether it's a great painting or a building or a sunset.

I was very lucky. My neck hurt and I went to my doctor, who was kind of hip, and he said it was stress-caused and that I needed to learn how to meditate. So I learned how to do Transcendental Meditation.

I played more of an advisory role with Public Enemy. I really trusted them to make the music that they wanted to make, and the way The Bomb Squad worked with the... they created their whole own world of music.

Well I listened to mostly rock music, and I felt like hip hop was like an extension of rock music when it was done well. So energetically, again I felt like it was in line with punk rock and maybe hard rock, more than it was in line with R&B, which I never really liked.

I never had the feeling I ever had to make a dime doing anything.

It's a big theme in my life, learning about myself and being a better person. I'm a work in progress; I have revelations every day.

The power of nature is what all art strives to be. The more we can get in tune with the harmony of the planet, the more our art can benefit from that relationship.

The technology is getting better. There will be a day when you'll be able to hear any music you want, anywhere you are, on demand, in a quality that is as good as when it was made. Things are moving in that direction.

There’s a tremendous power in using the least amount of information to get a point across.

I'm just trying to make my favorite music. That's how I work; I just do things based on the way they feel to me. I want to be touched by the music I'm making. Luckily, other people have shared that response to my work over the years.

I like things that are unique and extreme.

It's cool that you found somebody that you trust.

People are willing to get short-term gains at the risk of long-term choices.

I never decide if an idea is good or bad until I try it. So much of what gets in the way of things being good is thinking that we know. And the more that we can remove any baggage we're carrying with us, and just be in the moment, use our ears, and pay attention to what's happening, and just listen to the inner voice that directs us, the better.

I guess edgy things tend to get my attention.

Everything happens kind of the way it's supposed to happen, and we just watch it unfold. And you can't control it. Looking back, you can't say, "I should've..." You didn't, and had you, the outcome would have been different.

For me, the Beatles are proof of the existence of God.