The beautiful wooden board on a stand in my father's study. The gleaming ivory pieces. The stern king. The haughty queen. The noble knight. The pious bishop. And the game itself, the way each piece contributed its individual power to the whole. It was simple. It was complex. It was savage; it was elegant. It was a dance; it was a war. It was finite and eternal. It was life.

Perhaps that is our doom, our human curse, to never really know one another. We erect edifices in our minds about the flimsy framework of word and deed, mere totems of the true person, who, like the gods to whom the temples were built, remains hidden. We understand our own construct; we know our own theory; we love our own fabrication. Still . . . does the artifice of our affection make our love any less real?

We’re here, and then we’re gone, and it’s not about the time we’re here, but what we do with the time.

To hold on, you have to find something you’re willing to die for.

I'm one, too," he said. "What?" He spit a wad of blood and mucus into the dirt. "A virgin." What a shock. "What makes you think I'm a virgin?" I asked. "You wouldn't have hit me if you weren't.

The kid who didn't go back when he should have and now goes back when he shouldn't. The kid called Zombie, who made a promise, and if he breaks that promise, the war is over - not the big war, but the war that matters, the one in the battlefield of his heart. Because promises matter. They matter now more than ever.

Please, do not leave me, Will Henry. I would not survive it. You were nearly right. What Mr. Kendall was, I am always on the brink of becoming. And you - I do not pretend to know how or even why - but you pull me back from the precipice. You are the one... You are the one thing that keeps me Human.