When you're in the studio, you've got a narrative for what goes on, you might switch on a bit of gear and it might not work as you intended or come out a bit wrong, and you try and exploit it.

When Depeche Mode put out a single you knew that a week later you could go and buy the 12" and it would have six versions and they were all better.

The biggest revolutions are the ones that happen in-between our ears.

It seems like people need to get into the last album until they can tolerate the next one. And then, slowly but surely, by the time the new one's available, they've gotten into the last one and they really love it.

The last time I saw this many doctors was in 1982 at the NFL Combine. They flew me in, put me in a nice hotel and took great care of me. All you have to do is just pick up the phone and call P.A.S.T. and they will do the rest for you. I am very proud of the P.A.S.T. program.

You can get the oldest drum machine out and whack out four sounds like a kick, snare, and two types of high-hat, and try and come up with the freshest thing on the spot. The gear can guide you - you can choose one bit of gear and it's obviously got its restrictions and its limitations, but at the same time, you've got to exploit what it's capable of and what it's best used for.

I would like to be remembered as a responsible human being who handled business while also taking care of his family.