[Jodie Foster] is one of my favorite actors and people in the business.

I don't like any sport where you're already exhausted when you're done putting on the equipment.

We shot every scene of mine in the entire movie in five days. All my coverage, everything. I left. They went back and shot everybody else around me. Insane. The part [Billie in Crazy Six] called for a handsome, coiffed cool guy romantic lead, and I showed up like you see him in the movie. And they let me do it.

I have such amazing memories [about The Hotel New Hampshire movie], because Tony Richardson was such an amazing director, and the subject matter was so bizarre, and yet it was the most sought-after part at that moment. And then it had the good fortune to come out on the same day as Splash.

There is no recovery for anyone without lifting the lid on the pain of the past and letting in the light.

I went from doing something that was very original, sort of subversive, and specific in its voice - The Grinder - and loved every minute of it, but having done that, I was anxious to do something that had more broad appeal and to embrace the good things about that.

My first lessons in comedy, how to construct a joke, I learned from Eileen Brennan, who had unbelievable timing.