Ridley Scott's company makes great work in whatever arena, whether it's movies or commercials or television. They just do really quality stuff, so you know it's going to be quality.

Random Roles? Oh, I saw Virginia Madsen do this the other day! You see? I'm paying attention!

That chemistry that we had [with Fred Savage] is very, very hard to find. We were lucky to have those 22 episodes [of The Grinder]. I'm unendingly proud of it.

Being pulled that long and that hard for a 12-hour day gave me migraines. It's what they used to do before there were facelifts for actresses – you know, Joan Crawford's whole career was this. Then the makeup is like Earl Scheib auto body paint sprayed on my face.

['John F. Kennedy] movie is based on a massive best-selling book, which is always helpful. And then the script was amazing and answered my question, "Why this? Why now?" And the "why now" is that it's 50 years since the assassination, and the country needs to have and will have a conversation about that. And the "why this" is the construct, which I think is sort of ingenious.

[Virginia Madsen] big part in that movie ['Class'] required her shirt to get ripped off, and looking back, it couldn't be a more egregious, vintage, lowbrow, 1980s Porky's-esque, shoehorned-in moment. Like, you would never have that moment in a movie that aspired to be what that movie did today.

Can someone explain the vitriol whenever Ayn Rand comes up? 'Atlas' is the greatest motivator for the individual that I can imagine.