Nothing could go wrong because nothing had...I meant "nothing would." No - Then I quit trying to phrase it, realizing that if time travel ever became widespread, English grammar was going to have to add a whole new set of tenses to describe reflexive situations - conjugations that would make the French literary tenses and the Latin historical tenses look simple.
Robert A. HeinleinGovernment! Three-fourths parasitic and the rest stupid fumbling - oh, Harshaw concluded that man, a social animal, could not avoid government, any more than an individual could escape bondage to his bowels. But simply because an evil was inescapable was no reason to term it "good." He wished that government would wander off and get lost! (96)
Robert A. HeinleinPessimist by policy, optimist by temperament- it is possible to be both. How? By never taking an unnecessary chance and by minimizing the risks you can't avoid. This permits you to play out the game untroubled by the certainty of the outcome.
Robert A. HeinleinVictory in defeat, there is none higher. She didn't give up, Ben; she's still trying to lift that stone after it has crushed her. She's a father working while cancer eats away his insides, to bring home one more pay check. She's a twelve-year-old trying to mother her brothers and sisters because mama had to go to Heaven. She's a switchboard operator sticking to her post while smoke chokes her and fire cuts off her escape. She's all the unsung heroes who couldn't make it but never quit.
Robert A. HeinleinOn two subjects the overwhelming majority of people regarded their own opinions as Absolute Truth, and sincerely believed that anyone who disagreed with them was immoral, outrageous, sinful, sacrilegious, offensive, intolerable, stupid, illogical, treasonable, actionable, against the public interest, ridiculous, and obscene. The two subjects were (of course) sex and religion.
Robert A. HeinleinArt is the process of evoking pity and terror, which is not abstract at all but very human. What the self-styled modern artists are doing is a sort of unemotional pseudointellectual masturbation . . . whereas creative art is more like intercourse, in which the artist must seduce -- render emotional -- his audience, each time.
Robert A. Heinlein