That wasn't an ending. It was just a stopping point.

I've had it-the agencies, the winking, the networks, the ratings. Anyone who thinks TV is an art medium is crazy-it's an advertising medium.

I am not an expert. That is someone else's job. If I were expert, the approach would be all wrong. It would be from the inside. I am a blunderer. I usually don't know what I am going into at the start. I go into the fog and trust something will be there.

I insist that they do what they became actors to do. I want them to create something and not just hit marks and say words. So they all love that because they're playing. It's called playacting. Their contributions are not only welcomed, but are accepted and used.

Most of my films I call arena films. I deal with a confined area -- an arena -- and I try to cover every aspect of it.

People have asked me throughout the years which directors have influenced me. I don't know their names, because I was mostly influenced when I'd see a film and think, "Man, I want to be sure to never do anything like that." So I never learned their names. It wasn't a matter of copying or emulating somebody I admired. It was getting rid of a lot of stuff.

[The Player is] not a truthful indictment of Hollywood. It's much uglier than I portrayed it, but nobody would've been interested if I'd shown just how sadistic, cruel and self-orientated it is.