All of my films deal with the same thing: striving, socially and culturally, to stay alive.

There was not a lot of dialogue. The titles were just to keep you up. It's the visual stimulation that hits the audience. That's the reason for film. Otherwise, we might as well turn the light out and call it radio.

Every ad for every film is exactly the same.

If something works for you, you continue to do it. I did a bunch of pictures for 20th Century Fox when Alan Ladd was over there, but I set the budgets so low that they'd approve and I'd deliver the film. They would have no say in it, which is the kind of arrangement I liked.

I want to see something that I've never seen before, so how can I tell that actor what that is? I'm not trying to construct a document or situation that is what I want, because what I want is something new to me.

I don't know what "Altmanesque" means, though I suppose I'm flattered by it.

I never knew what I wanted, except that it was something I hadn't seen before.