I just try things and whether people like it or if I find it successful or not, I just do it.

Any artwork is part of something larger, grander and, you know, the situation that it's in is very important.

I was never that big a rock-and-roll, rock guy. I really preferred jazz, you know, that kind of thing.

People who look at art don't really - don't go with the artist. They don't sort of accept what he or she has done and kind of go with it. There are always - either there's too much color or not enough color, either it's not conceptual enough or it's too conceptual. In other words, most criticism isn't what the viewer expected that it would do based on what they think you have done and that's good as far as I'm concerned.

I have a lot of ideas for art. And it is really - I don't really have time to do them all.

You can't just suddenly change gears and reverse yourself or go to the left or the right because there is no left or right. There's always a certain direction that you're moving in.

I didn't like anti-Vietnam War art. I didn't like feminist art. I thought it was heavy-handed and stupid - as art.