There's a kind of poetic aspect to inert gas. And remember, first of all, they were completely unknown a hundred years earlier. We just didn't know about them. And then when they were discovered in the atmosphere, the idea that this is a material that would breathe in and exhale and becomes part of us for a while made it even more intriguing. The names, the Greek names, are interesting, too - if you translate neon, xenon and so forth are kind of interesting.

I always thought there was a - even in the most, quote, "conceptual art," there is always a physical aspect to it. I never knew what the term meant.

I have a lot of ideas for art. And it is really - I don't really have time to do them all.

I know where the mistakes are. Nothing is perfect and I understand that.

I relied mainly on other artists, who I think are smarter than critics, any critics or curators or anybody like that. They really know.

And style, by the way, is a very important thing. It is like your signature, your handwriting or it is something that you develop that is your way of presenting yourself and also your way of looking at what art - of how to make art.

Any artwork is part of something larger, grander and, you know, the situation that it's in is very important.