So I never had trouble getting work or working or doing - I always worked. I worked when I went to college. I worked after school.

Any artwork is part of something larger, grander and, you know, the situation that it's in is very important.

I'm fortunate in one respect; that I don't have a lot of work in my studio. Most of it's out, gone; either sold or in galleries. I work with a lot of galleries.

I had always worked. I always had part-time jobs.

I don't have a dream project. I don't really think in those terms, to tell you the truth.

I didn't like anti-Vietnam War art. I didn't like feminist art. I thought it was heavy-handed and stupid - as art.

If somebody gives me a chance to do something, I am going to use that space, that time, that light, that whatever it is and try and work with it.