People always ask me about the role models that I'm providing for kids, and I say I can't be concerned with that. I'm not worrying about corrupting youth. I'm worrying about writing realistically and truthfully to affect the reader.

I have lived a thousand lives lost within the pages of a book.

I use a lot of similes and metaphors when I work, simply because it's my best way of describing a building or a scene. I'm terrible at describing landscapes - trees, buildings. The inanimate things don't interest me: I always think, "Oh, no, here comes another building I have to describe." So I usually use a simile or metaphor.

He hated to think of his own life stretching ahead of him that way, a long succession of days and nights that were fine - not good, not bad, not great, not lousy, not exciting, not anything.

The possibility that hope comes out of hopelessness and that the opposite of things carry the seeds of birth - love out of hate, good out of evil. Didn't flowers grow out of dirt?

You have to accept the critical reviews if they treat you with respect. Actually, it's one person's opinion. So, it's a concern but not an overriding one, and I don't stay up nights worrying about reviews. But there are certain people I respect who I hope will like a book.

I'm always telling myself as I write that I'm not really writing a novel; I'm just going to fool around with a character or an idea.