I mean, the actors that I admired were Marlon Brando, Montgomery Clift, an actress named Barbara Harris. And Greta Garbo. They were great actors.

When you are working hard, you don't have time for anything other than what you are doing in the scene and what the director wants.

There are certain things I am clueless about as far as the new technologies. I see these people in front of these computers all day and I don't know what they are doing - they are doing something, obviously - with Facebook, Instagram and all that. I am aware of it, but basically not in touch.

You never know what you do that could be totally out of left field, which actually might work and give something fresh to the whole scene, to the character, whatever. If you have that with a director who then knows how to shape it, either in the direction, in the moment, or in the editing, then that's good.

If we do a sequel, I want to beat somebody's ass!

Everyone's always interested in a dark theme, especially when there's humor connected to it. It seems like that helps, if that's an integral and organic part of the whole story.

There is only one way to gain access to the truth and that is to not expect anything.