Vision is the true creative rhythm.

Human vision is endowed with the greatest Reality, since it comes to us directly from the contemplation of the Universe.

The auditory perception is not sufficient for our knowledge of the world; it does not have vastness.

It is this research into pure painting that is the problem at the present moment. I do not know any painters in Paris who are really searching for this ideal world.

But what I attach great importance to is observation of the movement of colors. It is only in this way that I have found the laws of complementary contrast and the simultaneity of those colors that nourish the rhythm of my vision. There I find the representative essence — which does not arise from a system or an a priori theory.

Direct observation of the luminous essence of nature is for me indispensable

Our understanding is correlative to our perception.