On the other hand, the artist has much to do in the realm of color construction, which is so little explored and so obscure, and hardly dates back any farther than to the beginning of Impressionism.
If Art relates itself to an Object, it becomes descriptive, divisionist, literary.
Vision is the true creative rhythm.
Painting is by nature a luminous language.
Art in Nature is rhythmic and has a horror of constraint.
This communication alone, by the comparison of the antagonisms, rivalries, movements which give birth to decisive moments, permits the evolution of the soul, whereby a man realizes himself on earth. It is impossible to be concerned with anything else in art.