Simultaneity in light is harmony, the rhythm of colors which creates the Vision of Man.

The auditory perception is not sufficient for our knowledge of the world; it does not have vastness.

On the other hand, the artist has much to do in the realm of color construction, which is so little explored and so obscure, and hardly dates back any farther than to the beginning of Impressionism.

Art in Nature is rhythmic and has a horror of constraint.

It is this research into pure painting that is the problem at the present moment. I do not know any painters in Paris who are really searching for this ideal world.

Simultaneity in light is harmony, the rhythm of colors which creates the Vision of Man.

First of all, I always see the sun! The way I want to identify myself and others is with halos here and there halos, movements of color. And that, I believe, is rhythm.