Human vision is endowed with the greatest Reality, since it comes to us directly from the contemplation of the Universe.
If Art relates itself to an Object, it becomes descriptive, divisionist, literary.
Art in Nature is rhythmic and has a horror of constraint.
The auditory perception is not sufficient for our knowledge of the world; it does not have vastness.
Painting is by nature a luminous language.
This communication alone, by the comparison of the antagonisms, rivalries, movements which give birth to decisive moments, permits the evolution of the soul, whereby a man realizes himself on earth. It is impossible to be concerned with anything else in art.