Painting is by nature a luminous language.

It is this research into pure painting that is the problem at the present moment. I do not know any painters in Paris who are really searching for this ideal world.

I am very much afraid of definitions, and yet one is almost forced to make them. One must take care, too, not to be inhibited by them.

Painting is by nature a luminous language.

The auditory perception is not sufficient for our knowledge of the world; it does not have vastness.

If Art relates itself to an Object, it becomes descriptive, divisionist, literary.

Light comes to us by the sensibility. Without visual sensibility there is no light, no movement.