Our understanding is correlative to our perception.

Painting is by nature a luminous language.

Light in Nature creates the movement of colors.

I am very much afraid of definitions, and yet one is almost forced to make them. One must take care, too, not to be inhibited by them.

On the other hand, the artist has much to do in the realm of color construction, which is so little explored and so obscure, and hardly dates back any farther than to the beginning of Impressionism.

Impressionism; it is the birth of Light in painting.

If Art relates itself to an Object, it becomes descriptive, divisionist, literary.