First of all, I always see the sun! The way I want to identify myself and others is with halos here and there halos, movements of color. And that, I believe, is rhythm.

Our understanding is correlative to our perception.

Nature engenders the science of painting

Light in Nature creates the movement of colors.

On the other hand, the artist has much to do in the realm of color construction, which is so little explored and so obscure, and hardly dates back any farther than to the beginning of Impressionism.

Light comes to us by the sensibility. Without visual sensibility there is no light, no movement.

Direct observation of the luminous essence of nature is for me indispensable