But I think Kiss Kiss, Bang Bang really got that thing where, if a movie reads really funny and then has some dramatic or violent or sinister stuff in it, you can't forget that primarily it has to be even funnier than you read it or that other stuff doesn't work.

I don't need an Iron Man suit. I'm already a weapon of mass seduction.

I'm not used to studios being ecstatic about we did and saying, "Please go do that again."

I just don't like big guys who speak cryptically and act like they understand the language better than me.

I guess the issue for me is to keep things dynamic.

You have to let go of the things that are darling to you. You have to take the focus off yourself and put it on the shape of the scene and the intention of what everyone else needs.

I think that the power is the principle. The principle of moving forward, as though you have the confidence to move forward, eventually gives you confidence when you look back and see what you've done.