I wouldn't want to see anything irreparable happen, but I also like it when seemingly irreparable thing occur and men and women find a way to move past it.

I like to be a little more difficult to nail down that that just inside myself, but when someone's motivations, even if they wind up falling in one side or the other of the debate, when they're personal and also when they're masked by something that only the audience knows is really their motivation, that to me is just what I call entertainment.

I'm not a method guy. I can't be bothered to have a method. I just want to be a part of a good movie and I can't stand to be surrounded by morons.

You know, when you're part of a comedic duo, you can take breaks. It's kind of like having a partner that is good with a kid.

With a terrible script you hustle and try to make it better. But with a good script it can be trouble because you rest on your laurels, so to speak, you think it's going to translate easily.

The audience can feel the subtleties of the characters.

I don't think I'm in any position to give anybody advice about anything.