If an apprentice does not hear what a master hears, is then that quality not present in the music? Yes and no. In the world in which the apprentice lives no.
Robert FrippThen certainly for a musician timing becomes something that is immediately accessible as a concept, because it's a necessity in ones everyday performance.
Robert FrippThe spoken form is in fact a very restrained representation of what is possible in the musical language.
Robert Fripp