As most people when I entered the work world, suddenly people are playing games, being manipulative, being a little bit nasty, you get tricked or you're kind of naive and you do something and people come steal your idea.

When people are too present, too familiar or too in our face, something happens to us psychologically. We begin to tune them out, we begin to get sick of them, we begin to know them so well and become so familiar with who they are that we loose a bit of respect for them. You pass a certain threshold with the fact that you're too present in their lives, too much in their face and once that threshold is passed you're never going to repair it they have lost a certain respect for you.

I think the homeless thing is very interesting and I think is an incredible exercise.

Along the way, a lot of filmmakers get rid of things that are messy or don't fit in some ways. To me, I want to work with serendipity and things we happened upon. That's our job, that's what the form demands.

Compelling spectacles are not to reach a niche market, it could be for reaching a niche marketing but on a grand scale. This is for grand marketing.

Everything changes. This is the key to feeling powerful, but also to being creative in the world.

Twere sin to stain fair Venus' courts with blood