Because it is a radical act of freedom, creative achievement is a heroic process that requires, in all its permutations, specific strengths of character.

The limitation in our ability to perceive broad distinctions in scope can be applied to our moral and temporal responses.... We agonize over a dinner menu, or have engine trouble on the way to work; and for seconds or minutes our cosmos shrinks to a miniscule volume of being, an epic of cheese sauces or tragedy of fanbelts.

Free men and women... can think across time, viewing their own lives, inclusive of past, present, and future, as architectural wholes, static in mental space. They can therefore see, as others cannot, the cracks and buttresses of repeated action, the points of stress, the established framework. They are not perfect; but they are less imperfect than we by a full dimension of being.

The future is like the daytime moon, a diffident but faithful companion, so elegant as to be almost invisible, an inconspicuous marvel.

Great drama, like the energy implicit in every atom, is eternally around and within us, but liberated only by coincidence, ceremony, creativity, periods reaching completion, pressures reaching the bursting point, and the simple but painful cultivation of awareness.

That morning I experienced vividly, if almost subliminally, the reality of change itself: how it fools our sentinels and undermines our defenses, how careful we are to look for it in the wrong places, how it does not reveal itself until it is beyond redress, how vainly we search for it around us and find too late that is has occurred within us.

Like students of art who walk around a great statue, seeing parts and aspects of it from each position, but never the whole, we must walk mentally around time, using a variety of approaches, a pandemonium of metaphor.