The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.

Nature is never finished.

Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.

The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.

A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.

Language operates between literal and metaphorical signification

Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.