The memory of what is not may be better than the amnesia of what is.

Mistakes and dead-ends often mean more to these artists than any proven problem

Abstraction is everybody's zero but nobody's nought.

The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.

Objects in a park suggest static repose rather than any ongoing dialectic. Parks are finished landscapes for finished art .

Language should find itself in the physical world, and not end up locked in an idea in somebody's head

The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.