Objects in a park suggest static repose rather than any ongoing dialectic. Parks are finished landscapes for finished art .

Language should find itself in the physical world, and not end up locked in an idea in somebody's head

The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.

A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.

When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us

Visiting a museum is a matter of going from void to void.

A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction.