Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.

Artists themselves are not confined, but their output is.

Nature does not proceed in a straight line, it is rather a sprawling development.

Questions about form seem as hopelessly inadequate as questions about content.

Let's face it, the human eye is clumsy, sloppy, and unintelligible when compared to the camera's eye.

History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy

Artists are expected to fit into fraudulent categories.