Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.

A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.

From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.

Abstraction is everybody's zero but nobody's nought.

Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.

Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.

History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy