Let's face it, the human eye is clumsy, sloppy, and unintelligible when compared to the camera's eye.

When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us

I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.

Artists are expected to fit into fraudulent categories.

The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.

The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.

As long as cameras are around no artist will be free of bewilderment.