Language should be an ever developing procedure and not an isolated occurrence.
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
Abstraction is everybody's zero but nobody's nought.
Parks are idealizations of nature, but nature in fact is not a condition of the ideal.
Language thus becomes monumental because of the mutations of advertising
Objects in a park suggest static repose rather than any ongoing dialectic. Parks are finished landscapes for finished art .