Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.
Language should be an ever developing procedure and not an isolated occurrence.
Establish enigmas, not explanations.
Questions about form seem as hopelessly inadequate as questions about content.
The memory of what is not may be better than the amnesia of what is.
I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.