History is a facsimile of events held together by finally biographical information.

Abstraction is everybody's zero but nobody's nought.

The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.

The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.

Questions about form seem as hopelessly inadequate as questions about content.

Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.

A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.