Language should find itself in the physical world, and not end up locked in an idea in somebody's head

Artists are expected to fit into fraudulent categories.

Language thus becomes monumental because of the mutations of advertising

Mistakes and dead-ends often mean more to these artists than any proven problem

Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.

An emotion is suggested and demolished in one glance by certain words.

Objects in a park suggest static repose rather than any ongoing dialectic. Parks are finished landscapes for finished art .